Twilit

I started this before my current hardships began. I don't know if I'll find the heart to care to finish it:

As much as I’ve decried the series for its Mormon allegory, I’m not going to focus on it in too much depth as I examine the story here (rather, I’ll refer interested parties to this article for the LDS allegorical discussion as well as to invite readers to simply Google “Twilight Mormon allegory” if they so desire): http://www.touchstonemag.com/archives/article.php?id=22-08-024-f .

The preface.
As I read through this short bit of text, I’m left wondering if anyone took the time to tell the author the difference between a preface and a prologue.

First Sight (also known as chapter one).
Here on the first page is where Bella really starts to lose me: “Neither of us was what anyone would call verbose.” Prolixity (from Latin prolixus, extended, also called verbosity and garrulousness) in language refers to speech or writing which uses an excess of words. Adjectival forms include prolix, verbose, and garrulous. Which, for the layman, means a person who is verbose talks or writes a lot. A lot. If Bella is not verbose, why do we have a 245 page (my edition) novel told in her voice? Ostentatiously, why do we have four such novels in her voice? At some point I’m going to end this exploration with a return to this statement: if she’s so not-verbose why couldn’t she just shut the fuck up then?
Two more pages in I’m convinced that at least the character of Bella has no clue what verbose means because she and her father are displaying it in spades (and by page eight I’m convinced Stephanie Meyer should have fired her copyeditor). I leave the first chapter not at all enamored of our primary antagonist. She comes off as either ignorant or a liar (see the verbose statement above), and she’s shown to be a bit of a bitch, where she can’t be bothered to retain the names of the other girls she meets, nor can she be bothered to pay attention to any of their prattling until they start talking about subjects she herself initiates, rather than any of the other subjects that instead interest them.

Chapter one also resonated heavily for me as an allusion to the newly adult LDS male going on his mission: like Bella wanting to go while simultaneously dreading the upheaval of their life, missing “home” and even the suggestion that remaining would be a hardship for the parent (as Bella suggests staying in Phoenix would be bad for mom, and an LDS child-man turning away from their mission would be a socially damaging action for their parents).

At this point I’m having trouble deciding whether I simply dislike the writing style, or if there’s nothing necessarily off-putting about the style; rather the main character is thus far just so unappealing that I lump my dislike for her into my dislike for Meyer’s prose. We’ll see how far along I can force myself through this.